Tokyo Film Review: ‘Motel Acacia’
Published on Nov 09, 2019
“Motel Acacia” takes place in America, but not any version of America that Americans will recognize. “Re-elect Roberts!” announces a garish campaign billboard bearing the face of a generic white politician. “We are great again!” Well, it’s easy to guess who that’s referring to and to extrapolate what alternate reality “Motel Acacia” has in mind. This is America as seen from abroad, America as a scary place where ugly white racists don’t just build walls to keep undocumented aliens out; they sacrifice oblivious immigrants to a menacing tree demon.
A what? Tree demons aren’t really a thing in the United States, but they’re a fertile part of Filipino folklore, and seeing as how “Motel Acacia” is actually an Asian co-production from Philippines-based director Bradley Liew (“Singing in Graveyards”), that explains how such a monster would find its way into a Northern-u.S.-set movie. Liew
Read full article at: Variety - Film News
Author: Peter Debruge