‘Tigertail’ Review: ‘Master of None’ Creator Alan Yang Delivers a Gorgeous, Moving Immigrant Drama
Published on Apr 10, 2020
Anyone watching “Tigertail” because of writer-director Alan Yang’s role in creating “Master of None” may be surprised to find that there’s nothing funny about it. With time, however, “Tigertail” develops a case for its modest aims. A slow-burn immigrant drama with visual polish to spare, the movie molds the leisurely plot into a lush, moving portrait of American dreams undercut by harsh reality checks. Yang infuses his earnest, semi-fictionalized story (inspired by his own father’s experiences) with the evocative narrative traditions of modern Asian cinema, from Wong Kar Wai to Edward Yang, resulting in a rich and intimate atmosphere at every turn. While the movie doesn’t achieve the narrative mastery of its influences,
At its center is a familiar journey. Growing up in ‘60s-era Taiwan, young factory worker Ping-Juri endures the frustrations of an arranged marriage, his demanding mother, and his mounting desire to find success in America.
Read full article at: Indiewire
Author: Eric Kohn