‘The Chambermaid’: Why Mexico’s Oscar Submission Is Much More Than This Year’s ‘Roma’
Published on Dec 04, 2019
Eight years ago, self-taught Mexican filmmaker Lila Avilés came across a photography book by visual artist Sophie Calle titled “Hotel.” It featured images of the garbage and objects guests left behind at a hotel in Venice, Italy. From these traces of absence, Avilés realized she could construct a profile of the person who once stayed there.
As Avilés considered the people who enter these private spaces, collect the remnants of their lives, and fix them up for the next occupant, these ingredients became the basis for a stage play — and that, in turn, gave way to the screenplay for her first feature, “The Chambermaid,” which she co-wrote with Juan Carlos Marquéz.
The captivating film is now Mexico’s Oscar contender in the newly renamed Best International Feature Film category, after premiering at the 2018 Toronto International Film Festival followed by an extensive, globe-trekking festival run. Picked up by Kino Lorber, “The Chambermaid” opened in U.
Read full article at: Indiewire
Author: Carlos Aguilar