‘Exile’: Film Review
Published on Feb 15, 2020
There’s much talk these days of microaggressions: words and gestures of disrespect toward others, particularly those of other social groups, that betray prejudice even when everyday or unintentional. It’s a term that sounds almost scientific, though as a unit of measurement, it’s frustratingly inexact: how many microaggressions add up to plain, violent, not-so-small oppression? How many seemingly accidental slights must one endure before crying malice? And if it makes you feel unsafe, can any aggression be called micro? In Kosovan-born director Visar Morina’s fine-cut sophomore feature “Exile,” these are the considerations that drive a mild-mannered Kosovan expat to the brink of madness in staid German suburbia.
Slicing into its protagonist’s psyche with surgical finesse and discomfort, this queasy-comic character study pulls off a subtly perilous balancing act: It’s painfully exact in dramatizing the quiet xenophobia he experiences on a daily basis, even as the
Read full article at: Variety - Film News
Author: Guy Lodge