‘Back to Life’ Review: Showtime’s British Import Smartly Walks an Almost-Impossible Tightrope

Published on Nov 10, 2019

‘Back to Life’ Review: Showtime’s British Import Smartly Walks an Almost-Impossible Tightrope

TV has a way of robbing a term of its meaning through over/misuse. “Bottle episode.” “Cinematic.” “Event series.” After a few years of genuine genre experimentation, particularly in half hour series, dramedy is one of those terms that could apply to just about anything now. Rarely, though, has a show felt like such a savvy and necessary blend of the two than Daisy Haggard‘s six-part series “Back to Life,” premiering on Showtime after airing in the U.K. earlier this spring.

But it would be just as much a shame to reduce what’s happening in this show to a single word, given that the main thrust of the entire series is that trying to box in a feeling, or an event, or individual into one easy-to-categorize description can be as pointless as it can be destructive. It’s so dedicated to that idea that much of the

Read full article at: Indiewire Television

Author: Steve Greene